Channel processing
Up to 64 inputs. Gate or PSE expander, compressor, dynamic EQ, multiband compressor and eight Waves slots on every channel and bus.
Mix live on your Mac.
A complete live mixing console for macOS. Works with any audio interface.
Meet LiveComms. Crew cues for macOS.
Send cues, assign crew location tags and follow shared show clocks. Free standalone app from Amelis Audio.
A complete console, on a Mac.
Channel processing, buses, scenes and recording, through any audio interface.
Remote and multitouch
A second Mac runs the same console with Amelis Remote. A supported touch screen works several controls at once.
Show mode
Automatic relaunch, crash recovery and a system check at every launch.
64 inputs, 58 buses.
16 groups, 16 auxes, 16 FX returns, 8 matrices, LR and Mono, with 8 VCAs, 8 mute groups and four custom layers.
Any audio interface. X32, M32 and WING integrated.
Interfaces
Any wired interface supported by macOS, over USB, Thunderbolt or network audio such as Dante, AVB and AES67.
X32, M32 and WING
The desk is the interface, through its expansion card. Gain, 48V, pad and routing are controlled from Amelis, on every model: X32, X32 Compact, X32 Producer, X32 Rack, M32, M32 Live, M32R, M32R Live, M32C, WING, WING Compact, WING Rack.
Waves plugins, deeply integrated.
Eight slots on every channel and bus, plugin windows in the rack, and Waves Tune keyed from the setlist.
One console, any show.
Real captures of three demo shows at 64 inputs.
Multitrack recording, virtual soundcheck.
Any inputs and buses plus a stereo mix, with markers, played back through the console.
Five companion apps.
Amelis RemoteControls the console from a second Mac, with the mixer, channel, plugin and show pages.
Amelis DirectorStem and click playback from a timeline into the console, recalling each song as the show reaches it.
Amelis StageRuns Director from a second Mac.
Amelis SendNetwork audio from another Mac into the console, for playback, click or a guest laptop.
Amelis HubLaunches the apps and keeps them up to date.
